Street Music
(After “Blues Concerto” by William Russo, recorded by Seiji Ozawa, The San Francisco Orchestra, and Corky Siegel on Harmonica)
You can't quite hum it or whistle it or strum it.
It sends forth
wails and whispers,
moans and shouts.
It is not quite jazz and not a symphony either.
It is its own,
a music that digs deep down:
that curses, wails,
is directly drawn from the streets.
You can hear the flow of gutters
smell the stink of drains
rise up with each crescendo
and sink again
to occasionally an easy song
then blues again
a down-and-dirty song.
The record pops,
then full chords whump and a thump
a thump-a- thump.
Then stops again,
goes back to serious wailing mouth organ sound.
Piano slides into a blues,
the echo of a hollowed out city,
then a dancing song,
never a sweetly chorus
no sing-a-longs.
Now angry! Now glad! Now sad!
It's rocking now harmonica and strings
a died-and-gone-to-heaven sort of theme.
It rocks! It rocks! It rocks!
My eyes are shut
and I am rocking wildly in my chair.
Alive! Alive! Alive!
No thought is here!
There's nothing but the rocking!
Hammering bass and mouth organ gently talking.
It chews the truth
of sidewalks streets and heaven
of love and hate
of debt and never payment
much left to grace.
And back again to harmonica breath in breath out
now rocking hard and stomping.
The chords push out complaints both large and breathy
Still joy remains!
Full orchestra now
notes crowded up in the air
The city is swinging its weight
deep
rash as hell
no tips
and certainly no profits
I hear the call!
of sidewalks and curbs and traffic
of blowing horns loud curses and laughs.
I am finding it hard to breath:
the streets so crowded
with prostitutes and pimps
not one head crowned.
After all, this is America! We're moving on.
We're cruising our way on the blues
the blues we own
our own tough tragic music,
so harsh so sweet.